VERT will develop, shoot and finish a 9-episode vertical microdrama about real scams, real families and the 9 seconds that stop them.
Take9 wants busy parents to take a 9-second pause before they click, download or share. You asked for a 9-episode vertical microdrama that teaches that habit in a way people will actually watch. Here's what we know about the problem and the audience.
Most adults get scam attempts every day, and about 3 in 10 say they've already lost money or personal information to one. Many victims never report it, so the real number is likely higher.
of US adults get suspected scam attempts every day.
AP-NORC poll, February 2026scam calls, texts and emails reach the average American every month. That's 3 or 4 a day.
Talker Research for Ping Identity, 2025lost to scams Americans reported in 2025, a record. Text was the most common first contact.
Federal Trade Commission, 2026Every VERT project starts with the audience, not the script. Before we write a word, we run a quick pulse survey and sit down with real people, and what we hear becomes the story. For this bid, we started early: here's our first read on parents 35 to 55, including how often scams reach them, which ones, and where they watch vertical stories.
PULSE RESULTS · add top 3 findings and number of respondents before sending
In this day and age, three things are true for them at once.
Teens call out a deepfake in a second. Their parents hesitate, and that hesitation is where the con lives.
The Sandwich Generation guards their kids, their aging parents and themselves at the same time.
A job change, dating again, a worried parent: every pressure point is a door a scammer can knock on.
At 35 to 55, Take9's audience is really two generations: older millennials and Gen X. They grew up differently, laugh at different things and think about scams differently. A series that only speaks to one of them loses the other.
We build on what they share, not on their age. Both run a household for their kids and their parents, and both are sure they're too smart to get scammed. That confidence is exactly where every con lands.
We know people learn more when they're entertained than when they're told. So the lesson in this series isn't a lecture. It's tucked into the laugh, the cringe, even the moment of fear when she almost clicks. This generation grew up on it. Nobody remembers the After School Special, but everybody can still sing "Conjunction Junction." That's what we're making: Schoolhouse Rock for scams. You come for the story, and you leave knowing to take nine seconds.
Here's our early point of view. The story itself comes after we listen: once we're awarded, we'll bring BPI three creative directions to choose from.
Funny and warm, never a scary PSA. The scam works because she wants something, which is exactly why the audience will see themselves.
Every episode, life hands her another scam built on what she's actually dealing with: work, dating again, teens, aging parents.
Building on BPI's Count to Nine: a dating-app match with a celebrity she's sure is a deepfake. It gives the celebrity lead a real role across the season.
The 9-second pause becomes a recurring beat viewers learn to expect, and by episode 9, to do themselves.
A line or image that stops the scroll.
A real modern scam, played out the way it really happens: on phones, apps and texts.
The beat where she slows down, or doesn't.
An unresolved turn that earns the follow.
One series has to land with a 38-year-old and a 52-year-old at the same time. Here's how we do it.
A lead in her 40s sits right where the two generations meet, with a younger sister and an older Gen X friend, so everyone sees themselves and gets to laugh at each other.
The younger character falls for the fast scam. The older one falls for the trusted voice.
The '90s belong to both: Gen X as teens, millennials as kids. Saturday-morning reruns, TGIF and the "very special episode" are common ground.
A mom who's sure the deepfake is real lands with everyone. Generational slang only lands with one.
We listen before we write. Then BPI chooses from three creative directions before a single script is written, so there are no surprises later.
A pulse survey of about 300 parents 35 to 55, then a 90-minute think tank with 8 parents. Their real "closest call" stories go straight to the writers.
VERT additionOur writers develop three distinct directions for BPI, each with a logline, tone, the shape of the season and a sample opening hook.
BPI choosesBPI picks one direction. We build the series bible and a beat sheet for all nine episodes.
All 9 scripts, with 2 rounds of notes from BPI, Aspen Digital and Craig Newmark's team, and a fact check on every scam.
Written to shoot in a single day in Los Angeles, with two locations and a small cast. Texts, DMs and scam alerts appear as on-screen graphics added in the edit.
Edit with 3 rounds of notes, color, mix and graphics. Clean and captioned versions of every episode, plus stills.
Pulse survey and parent think tank.
Presented to BPI.
Before Thanksgiving week.
Series bible and 9 episode beats.
All 9 scripts, then 2 rounds of notes.
Cast and locations approved.
1 day in Los Angeles. Backup Jan 8.
3 rounds of notes, picture lock Jan 29.
Captioned and clean, plus stills.
Episode 1 live, then weekly.
VERT is a director-led studio that brings craft and director- and creator-first authenticity to vertical, with the client services a brand or cause needs to trust us with its message. Many talented directors hide their vertical work. We're the home for the ones who don't.
VERT's founder, a director with 830M+ microdrama views this year, and network TV comedy writers who now write vertical series.
Hope built VERT to bring craft and director- and creator-first authenticity to the vertical space, backed by the client services a brand or cause needs to trust it with their message. Her goal is simple: elevate the medium. She brings 25+ years of producing commercials, music videos and social content, starting at Radical Media, and co-founded and led Adolescent Content, one of the first social-first production companies, for over a decade. Her work spans Meta, Google, Nike, Tinder and Target, plus public-interest campaigns for Power to Decide and the States of California and New Mexico. Shorty Award, 6x ADDY Awards, Webby nominee, Inc. Female Founders 500.
Kristen Brancaccio is a writer-director who has directed more than 18 microdramas and is set to direct her first feature-length film for Dolphin Films in early 2027.
She most recently directed Issa Rae's debut vertical series Screen Time, which garnered over 250 million views in its first month on TikTok. Her Audible series Southern Belle Insults, starring Keke Palmer, Phaedra Parks, and Zachariah Parks, premiered in August 2026.
She also wrote and directed Hollywood Starlet for the new app aTwist, produced by Bradley Bell (The Bold and the Beautiful). Her series Heartstrings and Lies for Shorts won a Telly Award for Best Vertical Video Series this year. Her vertical work spans ReelShort, NetShort, and DramaShorts, among others. She is attached to direct both the microdrama and feature length adaptation of Clarence Hammond's original short-story Summer Session with Ancora Entertainment.
Before verticals, Kristen was a top-10 directing finalist on HBO's Project Greenlight for her short Day One, and wrote and directed the action-romance pilot Resistance for SYFY. She also has extensive music video credits.
Together, Katy and Micah sold their first five vertical series, then two more, including YA series for Shorties and Chera TV. Their work is grounded, funny and character-driven: the opposite of billionaire-and-mistress verticals. CONFIRM · credits they're OK naming
Katy Garretson spent two decades as a half-hour comedy director, including Frasier and 2 Broke Girls, after coming up through the DGA training program. She is a former professor of directing at USC and former CEO of an educational nonprofit for at-risk youth. DRAFT · swap in Katy's bio
Micah Goldman started on the production staff of The Office, wrote a pilot for Fox, and worked as a development executive before producing a comedy feature. He now writes vertical series full time. DRAFT · swap in Micah's bio
Microdramas from our director and writers, and public-interest campaigns led by VERT's founder.
Tap a thumbnail to play. VIDEO LINKS · Compatibility Experiment, Heartstrings and Lies, Micah & Katy, Zero Proof
You asked whether both are doable. They are. Since the lead is expected to be SAG-AFTRA, the union version is our primary bid. A detailed estimate is attached.
All-in, with SAG-AFTRA supporting cast. To bring the union version in on budget, VERT has reduced its standard 20% production fee to 13.7%.
All-in, with non-union supporting cast.
Assumptions
We'd love a follow-up call this week to walk through the approach. On award, we're ready to kick off the week of November 16.