VERT will develop, shoot and finish a 9-episode vertical microdrama about real people, real scams and the 9 seconds that could stop them.
Take9's mission is clear: teach consumers to take a 9-second beat when they're confronted with situations that might be hidden scams. So the purpose of this series is heavy. How do you create behavior modification? That is our North Star. You asked for a 9-episode vertical microdrama that teaches the habit in a way people will actually watch. Here's what we know about the problem and the audience.
Most adults get scam attempts every day, and about 3 in 10 say they've already lost money or personal information to one. Many victims never report it, so the real number is likely higher.
of US adults get suspected scam attempts every day.
AP-NORC poll, February 2026scam calls, texts and emails reach the average American every month. That's 3 or 4 a day.
Talker Research for Ping Identity, 2025lost to scams Americans reported in 2025, a record. Text was the most common first contact.
Federal Trade Commission, 2026Every VERT project begins with the audience. We believe the strongest creative is born of insights from the group we are trying to reach, and our mission with Take9 is no different. Before we write a word, we run a quick pulse survey and sit down with the people we want to reach. For this bid, we started early and ran a mini study of parents 35 to 55.
This was a mini study. For the full project, we would expand it.
"I gave some info to a tech guy because I needed help setting up my printer. I immediately canceled the connection, but I was so afraid that my husband and I had to change all of our usernames and passwords."Survey respondent, on a fake tech support call
In this day and age, three things are true for them at once.
Young adults fall for scams more often, but older adults lose far more when they do. Parents in the middle are guarding both ends.
The Sandwich Generation guards their kids, their aging parents and themselves at the same time.
A job change, dating again, a worried parent: every pressure point is a door a scammer can knock on.
At 35 to 55, Take9's audience is really two generations: older millennials and Gen X. They grew up differently, laugh at different things and think about scams differently. A series that only speaks to one of them loses the other.
And behind them, the parents they care for. Older Gen X and the youngest Boomers, many of them still caring for parents in their 80s and 90s, are among scammers' biggest targets: Americans 60 and older reported losing about $3 billion to fraud in a single year, according to the FTC.
We build on what they share, not on their age. Both run a household for their kids and their parents, and both are sure they're too smart to get scammed. That confidence is what scammers count on.
The best ideas have to entertain. People learn more when they're entertained than when they're told, so the lesson in this series lives inside the story, not in a lecture. Our mini study points the way: these parents see scams every day, suspense keeps them watching, and real stories pull them in. This generation grew up on Schoolhouse Rock. Nobody remembers the After School Special, but everybody can still sing "Conjunction Junction." You come for the story, and you leave knowing to take 9 seconds.
The story itself comes after we listen. Once we're awarded, our writers will bring BPI three creative directions to choose from. Every episode will follow the shape you asked for:
A line or image that stops the scroll.
A real modern scam, played out the way it really happens: on phones, apps and texts.
The beat where the character slows down, or doesn't.
An unresolved turn that makes people follow for more.
We listen before we write. Then BPI chooses from three creative directions before a single script is written, so there are no surprises later.
Optional add-on: a quick pulse survey of about 100 parents 35 to 55, then a guided think tank with 10 parents. Their real "closest call" stories go straight to the writers.
While we listen, our writers start roughing out three distinct directions, then sharpen them with what we hear. Each comes with a logline, tone, the shape of the season and a sample opening hook.
BPI choosesBPI picks one direction. We build the series bible and a beat sheet for all nine episodes.
All 9 scripts, with 2 rounds of notes from BPI, Aspen Digital and Craig Newmark's team, and a fact check on every scam.
Written to shoot in a single day at one location in Los Angeles, with a small cast: the lead, one supporting actor and a few background. Texts, DMs and scam alerts appear as on-screen graphics added in the edit.
Edit with 3 rounds of notes, color, mix and graphics. Clean and captioned versions of every episode, plus stills.
Pulse survey and think tank, while writers rough out directions.
Presented to BPI.
Before Thanksgiving week.
Series bible and 9 episode beats.
All 9 scripts, then 2 rounds of notes.
Cast and locations approved.
1 day in Los Angeles. Backup Jan 8.
3 rounds of notes, picture lock Jan 29.
Captioned and clean, plus stills.
Episode 1 live, then weekly.
VERT is a director-led studio that makes vertical work with real craft. We bring together directors, writers and creators who know the format, and we back them with the client service a brand or cause needs to trust us with its message.
This bid brings together VERT's founder, a director with 830M+ microdrama views this year, and a writing team whose credits run from Frasier to PBS's Sid the Science Kid, a show that taught kids through entertainment.
Hope Dotson Farley is an advertising and media executive and entrepreneur with more than 25 years in the entertainment business. She founded VERT to elevate vertical storytelling, pairing real craft with the client service a brand or cause needs to trust it with their message. She began her career at Radical Media and produced for companies including Smuggler and Partizan. In 2013 she co-founded Adolescent Content, which she led for over a decade as COO and Executive Producer, building award-winning campaigns for Target, Levi's, Chevy, Always and LG, including the Shorty Award-winning Life's Good campaign. Her public-interest work includes Power to Decide and the States of California and New Mexico. She serves on the board of 300 for 300, a nonprofit supporting Black girls in creative fields, and has written for Adweek, Campaign US and MediaPost.
Kristen Brancaccio is a writer-director who has directed more than 18 microdramas and is set to direct her first feature-length film for Dolphin Films in early 2027.
She most recently directed Issa Rae's debut vertical series Screen Time, which garnered over 250 million views in its first month on TikTok. Her Audible series Southern Belle Insults, starring Keke Palmer, Phaedra Parks, and Zachariah Parks, premiered in August 2026.
She also wrote and directed Hollywood Starlet for the new app aTwist, produced by Bradley Bell (The Bold and the Beautiful). Her series Heartstrings and Lies for Shorts won a Telly Award for Best Vertical Video Series this year. Her vertical work spans ReelShort, NetShort, and DramaShorts, among others. She is attached to direct both the microdrama and feature length adaptation of Clarence Hammond's original short-story Summer Session with Ancora Entertainment.
Before verticals, Kristen was a top-10 directing finalist on HBO's Project Greenlight for her short Day One, and wrote and directed the action-romance pilot Resistance for SYFY. She also has extensive music video credits.
As a team, Micah Goldman & Katy Garretson optioned their first two feature-length projects to Reckless Pictures and Basset Hound Distribution. They've also sold five vertical series in multiple genres (noir, period, comedy, drama, holiday) to Giovanni Entertainment, and have two YA vertical series, The Prom Revenge Pact and Senior Smear Campaign, in pre-production with Shorties Studios and CheraTV. They have multiple additional microseries currently being pitched.
Katy Garretson is a Los Angeles-based writer, director, producer, podcaster and professor. She began her award-winning directing career on the TV series Frasier and was nominated for a Directors Guild of America (DGA) Award for her directorial debut. She has since directed over 100 episodes of television, including Two Broke Girls, Fuller House, School of Rock, and three seasons of the animated series Sid the Science Kid, for PBS. Katy is the recipient of the DGA's prestigious Frank Capra Career Achievement Award. Katy also developed and produced a series of sixteen hit movies, the Garage Sale Mysteries, for the Hallmark Channel, hosted the podcast Mojo Girl Madness, and for years was a Professor of Directing, Production and Storytelling to both graduate and undergraduate students of the School of Cinematic Arts at her alma mater, USC.
Micah Goldman is a Los Angeles-based writer and producer. He began his career as a writers' assistant on a TV Land sitcom before writing and producing Tease, a dramedy pilot for Fox Television Studios. He later produced the John Landis-executive-produced horror comedy Some Guy Who Kills People. As a former Creative Executive at Industry Arts, Micah provided development feedback for several years on high-profile projects, including Shia LaBeouf's Honey Boy and Netflix's The Wedding Season. He is also an Executive Producer on Stripper Boyz, a comedy feature streaming on Apple. Most recently, Micah wrote two vertical rom-com series for Refinery Media, distributed by FareFlow, and he currently works full-time as a vertical drama writer for DramaWave.
You asked whether union and non-union are both doable. They are, and we've priced three options. Each includes the stills and the captioned and clean versions you asked for, and we've reduced our fee to a nonprofit rate so more of the budget goes on screen. Options 1 and 3 come in under your $100,000 budget; Option 2 is higher only because it builds in union talent usage under your media terms. A detailed estimate is attached.
Production, with a SAG-AFTRA supporting cast.
+ est. $9,400 union talent usage, billed separately and confirmed with a SAG-AFTRA payroll company.
Same production, with estimated union talent usage built in.
All-in, including 6-month talent buyouts per your media terms.
Optional add-on · $2,420. A pulse survey of about 100 parents and a guided think tank with 10, so real "closest call" stories shape the scripts.
Assumptions
We'd love a follow-up call this week to walk through the approach. On award, we're ready to start right away.